The original paper is in English. Non-English content has been machine-translated and may contain typographical errors or mistranslations. ex. Some numerals are expressed as "XNUMX".
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The original paper is in English. Non-English content has been machine-translated and may contain typographical errors or mistranslations. Copyrights notice
Nous avons proposé un nouveau concept de technique de tatouage numérique pour les données musicales qui se concentre sur l'utilisation de techniques de synthèse sonore et d'effets sonores. Cet article décrit les détails de la technique proposée qui utilise l'effet de distorsion, l'un des effets sonores les plus courants, fréquemment utilisé en particulier pour les instruments de guitare et de basse. Cet article décrit les résultats expérimentaux de l'évaluation de la résistance de la technique proposée contre certaines attaques malveillantes de base utilisant le codage MP3, la modification du tempo, la modification de la hauteur et le filtrage passe-haut. Il est démontré que la technique proposée présente potentiellement une résistance appropriée contre de telles attaques, à l'exception de l'attaque par filtrage passe-haut. Une technique permettant d'augmenter la résistance à l'attaque par filtrage passe-haut est également discutée en complément.
Yuto MATSUNAGA
Hokkaido University
Tetsuya KOJIMA
Tokyo College
Naofumi AOKI
Hokkaido University
Yoshinori DOBASHI
Hokkaido University
Tsuyoshi YAMAMOTO
Hokkaido University
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Yuto MATSUNAGA, Tetsuya KOJIMA, Naofumi AOKI, Yoshinori DOBASHI, Tsuyoshi YAMAMOTO, "Some Evaluations on a Digital Watermarking Technique for Music Data Using Distortion Effect" in IEICE TRANSACTIONS on Information,
vol. E102-D, no. 6, pp. 1119-1125, June 2019, doi: 10.1587/transinf.2018EDT0003.
Abstract: We have proposed a novel concept of a digital watermarking technique for music data that focuses on the use of sound synthesis and sound effect techniques. This paper describes the details of our proposed technique that employs the distortion effect, one of the most common sound effects frequently utilized especially for guitar and bass instruments. This paper describes the experimental results of evaluating the resistance of the proposed technique against some basic malicious attacks utilizing MP3 coding, tempo alteration, pitch alteration, and high-pass filtering. It is demonstrated that the proposed technique potentially has appropriate resistance against such attacks except for the high-pass filtering attack. A technique for increasing the resistance against the high-pass filtering attack is also supplementarily discussed.
URL: https://global.ieice.org/en_transactions/information/10.1587/transinf.2018EDT0003/_p
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@ARTICLE{e102-d_6_1119,
author={Yuto MATSUNAGA, Tetsuya KOJIMA, Naofumi AOKI, Yoshinori DOBASHI, Tsuyoshi YAMAMOTO, },
journal={IEICE TRANSACTIONS on Information},
title={Some Evaluations on a Digital Watermarking Technique for Music Data Using Distortion Effect},
year={2019},
volume={E102-D},
number={6},
pages={1119-1125},
abstract={We have proposed a novel concept of a digital watermarking technique for music data that focuses on the use of sound synthesis and sound effect techniques. This paper describes the details of our proposed technique that employs the distortion effect, one of the most common sound effects frequently utilized especially for guitar and bass instruments. This paper describes the experimental results of evaluating the resistance of the proposed technique against some basic malicious attacks utilizing MP3 coding, tempo alteration, pitch alteration, and high-pass filtering. It is demonstrated that the proposed technique potentially has appropriate resistance against such attacks except for the high-pass filtering attack. A technique for increasing the resistance against the high-pass filtering attack is also supplementarily discussed.},
keywords={},
doi={10.1587/transinf.2018EDT0003},
ISSN={1745-1361},
month={June},}
Copier
TY - JOUR
TI - Some Evaluations on a Digital Watermarking Technique for Music Data Using Distortion Effect
T2 - IEICE TRANSACTIONS on Information
SP - 1119
EP - 1125
AU - Yuto MATSUNAGA
AU - Tetsuya KOJIMA
AU - Naofumi AOKI
AU - Yoshinori DOBASHI
AU - Tsuyoshi YAMAMOTO
PY - 2019
DO - 10.1587/transinf.2018EDT0003
JO - IEICE TRANSACTIONS on Information
SN - 1745-1361
VL - E102-D
IS - 6
JA - IEICE TRANSACTIONS on Information
Y1 - June 2019
AB - We have proposed a novel concept of a digital watermarking technique for music data that focuses on the use of sound synthesis and sound effect techniques. This paper describes the details of our proposed technique that employs the distortion effect, one of the most common sound effects frequently utilized especially for guitar and bass instruments. This paper describes the experimental results of evaluating the resistance of the proposed technique against some basic malicious attacks utilizing MP3 coding, tempo alteration, pitch alteration, and high-pass filtering. It is demonstrated that the proposed technique potentially has appropriate resistance against such attacks except for the high-pass filtering attack. A technique for increasing the resistance against the high-pass filtering attack is also supplementarily discussed.
ER -